When she woke up crying from one of her nightmares, the Kolker would stay with her, brush her hair with his hands, collect her tears in thimbles for her to drink the next morning. "The only way to overcome sadness is to consume it," he said.
He awoke each morning with the desire to do right, to be a good and meaningful person, to be, as simple as it sounded and as impossible as it actually was, happy.
And during the course of each day his heart would descend from his chest into his stomach. By early afternoon he was overcome by the feeling that nothing was right, or nothing was right for him, and by the desire to be alone. By evening he was fulfilled: alone in the magnitude of his grief, alone in his aimless guilt, alone even in his loneliness.
I am not sad, he would repeat to himself over and over, I am not sad. As if he might one day convince himself. Or fool himself. Or convince others--the only thing worse than being sad is for others to know that you are sad. I am not sad. I am not sad. Because his life had unlimited potential for happiness, insofar as it was an empty white room. He would fall asleep with his heart at the foot of his bed, like some domesticated animal that was no part of him at all. And each morning he would wake with it again in the cupboard of his rib cage, having become a little heavier, a little weaker, but still pumping.
And by midafternoon he was again overcome with the desire to be somewhere else, someone else, someone else somewhere else.
I am not sad.
-Everything Is Illuminated by Jonathan Safran Foer's
"An artist's only concern is to shoot for some kind of perfection, and on his own ter ms, not anyone else's. You have no right to think about those things, I swear to you. Not in any real sense, anyway."
Yvonne shook me awake. She took my head in her lap, and her long brown hair draped over us like a shawl. Her belly was warm and firm as a bolster. Through the strands of her hair wove the colored strands of light I still saw, cast by a kid's carousel bedside lamp I'd scavenged on trash day. "We get all the bad dreams, ese," she said, stroking my wet cheek with the palm of her hand. "We got to leave some for somebody else."
-White oleander by Janet Fitch